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Wednesday, 17 March 2010
Tuesday, 16 March 2010
Light?
Flatline.
That's it.
Out-of-body reports
looking down from the ceiling.
Tunnel
Light
One
Become one with the light,
It's said.
Flatline,
That's it -
And hope.
That's it.
Out-of-body reports
looking down from the ceiling.
Tunnel
Light
One
Become one with the light,
It's said.
Flatline,
That's it -
And hope.
Sent from my iPod
Sunday, 14 March 2010
Sunday, 7 March 2010
Bach in Birmingham
Bach's St Matthew Passion, performed by soloists with the CBSO and CBSO Chorus and Children's Chorus. Conducted by Sir Simon Rattle. 7th March 2010 at Symphony Hall, Birmingham.
It's hard to sum up such a performance and music: here's an attempt.
Immensely powerful and moving, but not least due to the perfect precision and balance: beautiful touches from instrumentalists, clear singing particularly from the Evangelist, and real feeling from all concerned: Thomas Quasthoff, tenor singer I couldn't spot from the balcony, seated as he's disabled, wonderful voice and complete involvement. Some particularly exquisite woodwind contributions and the solo violin, and Ulrich Heinen's cello continuo at the front of the stage (he lives up the road from my Mum, so had to mention him!)
Simon Ratttle, in charge but not domineering, bringing that extra level of performance that he does from his musicians and amateur (but very professional) choir. He does bring an authority to the stage: he held the silence at the end of the piece for several seconds - no applause, no coughing, no whispering - till the audience started clapping and I suspect still hadn't stopped while a number of us were on our way home.
Just glad I thought to buy tickets (last June to be sure!!)
A very special concert.
See BBC page for notes and a PDF of the text.
It's hard to sum up such a performance and music: here's an attempt.
Immensely powerful and moving, but not least due to the perfect precision and balance: beautiful touches from instrumentalists, clear singing particularly from the Evangelist, and real feeling from all concerned: Thomas Quasthoff, tenor singer I couldn't spot from the balcony, seated as he's disabled, wonderful voice and complete involvement. Some particularly exquisite woodwind contributions and the solo violin, and Ulrich Heinen's cello continuo at the front of the stage (he lives up the road from my Mum, so had to mention him!)
Simon Ratttle, in charge but not domineering, bringing that extra level of performance that he does from his musicians and amateur (but very professional) choir. He does bring an authority to the stage: he held the silence at the end of the piece for several seconds - no applause, no coughing, no whispering - till the audience started clapping and I suspect still hadn't stopped while a number of us were on our way home.
Just glad I thought to buy tickets (last June to be sure!!)
A very special concert.
See BBC page for notes and a PDF of the text.
Tuesday, 2 March 2010
City Centre Living
pants and towels
hung in the windows
trainers
a table lamp:
I can see all of these from the top deck
a passenger
by the Rotunda
till the bus lurches on, takes me past
leaves the city's show
hung out to dry
hung in the windows
trainers
a table lamp:
I can see all of these from the top deck
a passenger
by the Rotunda
till the bus lurches on, takes me past
leaves the city's show
hung out to dry
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